21 June 2009

Yeats in Your Face: Take Two


Anyone who knows Yeats knows "The Second Coming." Well, I hope so, at least. Yes, line three is alluded to in the title of Chinua Achebe's novel Things Fall Apart, proving that awesomeness knows no cultural boundaries; yes, there are falcons in it; and the phrase "mere anarchy" is enough to make the blood pulse through my veins with renewed vigor (thank you, litotes); but more than all of this, "The Second Coming" stands the test of time because it's an astute observation of chaos in any time when hope seems irrelevant. The well intentioned actions most desired - namely, revolution in any manifestation - will not be one we can predict or even necessarily enjoy should it come. But when Yeats writes, it all melts away into the impotent bleetings of so many sheep without leaving one feeling empty. "The Second Coming" is dark, disarming, and rather self-indulgent in terms of hopelessness. But if art reflects life, it should be done without flinching, wouldn't you agree?

William Butler Yeats (1865-1939)

THE SECOND COMING

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: a waste of desert sand;
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Wind shadows of the indignant desert birds.
The darkness drops again but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

26 February 2009

Appletinis, anyone?

Quite possibly the most underrated American poet, Robert Frost's accessibility and deceptively simple themes tend to be overlooked by fancy pants academics. Mention him at a cocktail party and you're likely to be laughed out of the room for being provincial. Okay, I've never actually been to a cocktail party, but I'm guessing that's how it would go down. Anyway, "After Apple Picking" rocks my face off because of its veiled allusions to death, the conceit of The Fall (Original Sin) intertwined with the imagery of the season of fall, and that random woodchuck business at the end. One of my professors pointed out that the word "woodchuck" is an Ojibway or Cree word meaning "fisher." So, there you have it.





Besides, it's cheaper (and more artistically dramatic) to drink at home.



Robert Frost

"After Apple Picking"

My long two-pointed ladder's sticking through a tree
Toward heaven still,
And there's a barrel that I didn't fill
Beside it, and there may be two or three
Apples I didn't pick upon some bough.
But I am done with apple-picking now.
Essence of winter sleep is on the night,
The scent of apples: I am drowsing off.
I cannot rub the strangeness from my sight
I got from looking through a pane of glass
I skimmed this morning from the drinking trough
And held against the world of hoary grass.
It melted, and I let it fall and break.
But I was well
Upon my way to sleep before it fell,
And I could tell
What form my dreaming was about to take.
Magnified apples appear and disappear,
Stem end and blossom end,
And every fleck of russet showing clear.
My instep arch not only keeps the ache,
It keeps the pressure of a ladder-round.
I feel the ladder sway as the boughs bend.

And I keep hearing from the cellar bin
The rumbling sound
Of load on load of apples coming in.
For I have had too much
Of apple-picking: I am overtired
Of the great harvest I myself desired.
There were ten thousand thousand fruit to touch,
Cherish in hand, lift down, and not let fall.
For all
That struck the earth,
No matter if not bruised or spiked with stubble,
Went surely to the cider-apple heap
As of no worth.
One can see what will trouble
This sleep of mine, whatever sleep it is.
Were he not gone,
The woodchuck could say whether it's like his
Long sleep, as I describe its coming on,
Or just some human sleep.